Michael Dweck: Havana Libre (2011) 
Text and photos Michael Dweck
 
 
Nowness recently ran a photo essay by American photographer Michael Dweck, known for his photos of natural babes in Montauk, New York. This time, Michael visited Cuba and discovered a whole scene of the young cool crowd in Cuba?s elite circles (not the type of youth normally captured by most predictable photographers).

?These people travel freely, have nice cars, big studios and a lot of assistants? writes Nowness. ?They sell their artworks in other countries; they show at Art Basel, some have work in MoMA and the Tate. The government allows it even though Cuba is supposed to be classless. The regime doesn?t admit that this creative class exists, but I think they also realize that without culture you don?t have a society.?


Photographs by Michael Dweck, © All rights reserved.
 
 


In his own words: Michael Dweck
Michael Dweck
The Malecon, after midnight. Hundreds of lovers on the wall, as if the night wasn?t steamy enough. Below them the sea, breathing slowly. Beyond them the nightlife of Havana. Not Old Havana, not those postcards. The real city, two million strong, most of which are awake.

At Turf, Dj.Joy making the music. So much smoke that it fills the small spaces between the fibers in your clothes. Drinks and cigarettes. Connections to be confirmed later. Maybe 50 people outside the club by the velvet rope, awaiting a nod to enter that may not come.

Avenida de los Presidentes, dense with teenagers. Small groups hang together. Skateboarders rolling around monuments to revolutionary heroes. Girls with a look, flitting and flirting. The clothing of choice seems to be heavy metal black. Everyone finds their place, their circles, their friends, and it is surprisingly quiet. Maybe 1000 kids by 3am.

Surprise to many in the world, and most in the United States: there is happiness in Cuba. The US policy is crushing, socialism is an empty closet and the country seems held together by average families masterfully adept at jerry-rigging their day- to- day existence. Really, Cubans may be the most ingenious people on the planet. Yet, despite the negative wire-service photographs imprinted on the world?s brain, there?s a pretty good life here for many. To name a few: artists and directors and actors and models and musicians. The creative class.

Soon after Fidel Castro came to power in 1959 he signaled his intent to promote Cuban culture. Other decrees promoted education and medicine. Today the culture is rich and proud. Literacy is almost unequalled in the world. Medical knowledge and care are superior.

Here, on an island of survivors, there are those who survive better than others. Some are embarrassed about it. Others are afraid to draw attention to it for fear the socialist government will do something to them for having a good life.

Yari, bangs and beautiful, part of the life. A member of several farandulas, small circles of friends intersecting like Olympic rings. Each ring an interest: music, or fashion, or clubs or art. One farandula even alerts her to the party-of-the-night, the letters PMM chirped to her cell phone: Por Mejor Mundo, For A Better World. With directions.

Actual money, she proves, is not always necessary for the above-average life. But farandulas, that?s different. Social connection trumps politics, status or wealth. A model dates a photographer who is friends with a musician whose song is chosen by a director for a film with an actor who admires the work of an artist who uses the model for a model.

Here are the other photographs, then, of the other faces of Cuba. They are international, yet travel is difficult if not impossible. They are fashionable, though Cuban couture is an oxymoron and anyway there are no stores. They are socialists who would be lost without capitalism to sell their creative wares in the world?s markets. They are the privileged class in a classless society.
Background to Havan Libre
Background to Havan Libre
We developed the idea for Habana Libre while on vacation with our wives sitting around a swimming pool in Mexico in the winter of 2009.
We felt there was a story of Cuba that the world, or at least the world served by Western media, didn?t know. This story would be about a privileged class in a supposedly classless society: the creative class.

We felt the book could be controversial, as it would present a somewhat positive side of Cuba ? even glamorous. We?re not used to seeing images of Cuba this way. But the creative class, with its perks and privileges, does exist and does have certain freedoms not granted to the rest of the island?s inhabitants.

We gained tremendous access to this secret world. Our subjects were open to being interviewed and photographed. Organizing Western-style photo shoots is challenging in Cuba, so we mostly shot on the fly and interviewed in studios, hotels and homes.

Cuba is not easy. The services and support for creative projects are lacking but with a little tape and wire and luck you can get on with it. We had it all.
I was Cuba (2007) by Kevin Kwan
September 2011
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